Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 43
... accepted the lordship of death . There is a sense in which such an acceptance is vital to a complete perception of and submission to reality . But the characters in whom Tolstoy depicted this release ' accepted death passively . They ...
... accepted the lordship of death . There is a sense in which such an acceptance is vital to a complete perception of and submission to reality . But the characters in whom Tolstoy depicted this release ' accepted death passively . They ...
Stran 289
... accepted and intelligible , nothing but that which was universally accepted and intelligible was art at all . And his standard of the universally accepted and intelligible was governed by his own prejudice . To prove this we may ...
... accepted and intelligible , nothing but that which was universally accepted and intelligible was art at all . And his standard of the universally accepted and intelligible was governed by his own prejudice . To prove this we may ...
Stran 292
... accepted the pain and death that is in life , but he understood the life that is in pain and death , and by this ultimate affirmation he came as near reconciling Freedom and Necessity , an ecstatic joy with the knowledge of all sorrow ...
... accepted the pain and death that is in life , but he understood the life that is in pain and death , and by this ultimate affirmation he came as near reconciling Freedom and Necessity , an ecstatic joy with the knowledge of all sorrow ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
3 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve activity admit already animal artist beauty became become believe body ceased characters Christianity Church civilization claimed conception conscience consciousness creative criticism death demands deny described desire elements essential evil example exist experience expressed eyes fact failed faith false fear feeling felt final forces girl hands happiness hated heart highest human idea ideal individual inevitably instincts intelligence intense justify knowledge labour later less live longer look marriage meaning mental merely mind moral nature never once passions peace peasant perfect physical Pierre pleasure possessed possible practical primitive pure rational reality realize reason relation religious Russia satisfy seek seemed sense sensual sentimental social society soul spiritual suffering teaching thing thought tion Tolstoy Tolstoy's true truth turned understand virtue whole woman women writing wrote