Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 16
Stran 7
... criticism of these great novels . Similarly in Parts IV and V I have devoted myself primarily to Tolstoy's interpreta- tion of Christianity and his criticism of art , to the neglect of much of his creative writing , notably his Plays ...
... criticism of these great novels . Similarly in Parts IV and V I have devoted myself primarily to Tolstoy's interpreta- tion of Christianity and his criticism of art , to the neglect of much of his creative writing , notably his Plays ...
Stran 298
... criticism of Shakespeare's style and characters he betrayed the same physical limitations which governed him as an ... criticize him therefore because his plots are full of violence or to discuss whether he believed in democracy , is to ...
... criticism of Shakespeare's style and characters he betrayed the same physical limitations which governed him as an ... criticize him therefore because his plots are full of violence or to discuss whether he believed in democracy , is to ...
Stran 299
... criticism , and that in 1611 that would consist of criticism of the King and Court . Any passages speaking without sufficient respect of courtiers and court ladies , knights and so forth , were dropped on by him . ' terror he knew , as ...
... criticism , and that in 1611 that would consist of criticism of the King and Court . Any passages speaking without sufficient respect of courtiers and court ladies , knights and so forth , were dropped on by him . ' terror he knew , as ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
3 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve activity admit already animal artist beauty became become believe body ceased characters Christianity Church civilization claimed conception conscience consciousness creative criticism death demands deny described desire elements essential evil example exist experience expressed eyes fact failed faith false fear feeling felt final forces girl hands happiness hated heart highest human idea ideal individual inevitably instincts intelligence intense justify knowledge labour later less live longer look marriage meaning mental merely mind moral nature never once passions peace peasant perfect physical Pierre pleasure possessed possible practical primitive pure rational reality realize reason relation religious Russia satisfy seek seemed sense sensual sentimental social society soul spiritual suffering teaching thing thought tion Tolstoy Tolstoy's true truth turned understand virtue whole woman women writing wrote