Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 66
Stran 141
... expression , and his creative range will depend upon the extent of the province over which he can preserve the balance between external and internal experience . Tolstoy could only ... expressed with the eyes and S2 141 PRELUDE TO BATTLE.
... expression , and his creative range will depend upon the extent of the province over which he can preserve the balance between external and internal experience . Tolstoy could only ... expressed with the eyes and S2 141 PRELUDE TO BATTLE.
Stran 255
... expressed in this story the identity between a mean , egotistic life and death , but once again , as in the case of Prince Andrew or as later in the case of Vasili in Master and Man whom the frost numbs into an acceptance of death , he ...
... expressed in this story the identity between a mean , egotistic life and death , but once again , as in the case of Prince Andrew or as later in the case of Vasili in Master and Man whom the frost numbs into an acceptance of death , he ...
Stran 301
... expressed a critical affirmation of life , and to him who interpreted Christianity as a religion of suffering , poverty and denial , the very splendour of Shakespeare's acceptance seemed only to reflect the pride and the egotism which ...
... expressed a critical affirmation of life , and to him who interpreted Christianity as a religion of suffering , poverty and denial , the very splendour of Shakespeare's acceptance seemed only to reflect the pride and the egotism which ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
3 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve activity admit already animal artist beauty became become believe body ceased characters Christianity Church civilization claimed conception conscience consciousness creative criticism death demands deny described desire elements essential evil example exist experience expressed eyes fact failed faith false fear feeling felt final forces girl hands happiness hated heart highest human idea ideal individual inevitably instincts intelligence intense justify knowledge labour later less live longer look marriage meaning mental merely mind moral nature never once passions peace peasant perfect physical Pierre pleasure possessed possible practical primitive pure rational reality realize reason relation religious Russia satisfy seek seemed sense sensual sentimental social society soul spiritual suffering teaching thing thought tion Tolstoy Tolstoy's true truth turned understand virtue whole woman women writing wrote