The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 36
Stran 165
... become large enough , the new mode is recognized as the fashion . The former fash- ion is ridiculed ; everybody hastens to abandon it for the new . Recent fashions in literature , under such leadership as that of Gertrude Stein and ...
... become large enough , the new mode is recognized as the fashion . The former fash- ion is ridiculed ; everybody hastens to abandon it for the new . Recent fashions in literature , under such leadership as that of Gertrude Stein and ...
Stran 167
... becoming old . For the old will perennially become new at the hand of genius . That is the paradox of art , and likewise the reconciliation of conservatism and revolt . As I say , all I have been doing here is to sum- marize , largely ...
... becoming old . For the old will perennially become new at the hand of genius . That is the paradox of art , and likewise the reconciliation of conservatism and revolt . As I say , all I have been doing here is to sum- marize , largely ...
Stran 266
... becomes error . Or perhaps we may say that we do not know what is truth or what error except toward the extremes . All of us , for example , barring the color - blind , know green from yellow , but none of us , looking at a spectrum ...
... becomes error . Or perhaps we may say that we do not know what is truth or what error except toward the extremes . All of us , for example , barring the color - blind , know green from yellow , but none of us , looking at a spectrum ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
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admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young