The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 92
Stran 47
A Trialogue Henry Hazlitt. critic is not to tell us what the rôle of the critic is . To say that it is the function of the critic to be charming is precisely like saying that it is the func- tion of the fireman to be brave : that is not ...
A Trialogue Henry Hazlitt. critic is not to tell us what the rôle of the critic is . To say that it is the function of the critic to be charming is precisely like saying that it is the func- tion of the fireman to be brave : that is not ...
Stran 49
... critic with his catalysis . He makes the work of art live for the spectator ; he makes the spectator live for the work of art . Out of the process come ... critic himself - may occur in the very act of writing 49 THE CRITIC'S FUNCTION.
... critic with his catalysis . He makes the work of art live for the spectator ; he makes the spectator live for the work of art . Out of the process come ... critic himself - may occur in the very act of writing 49 THE CRITIC'S FUNCTION.
Stran 68
... critic as a much more detached person than he actually is . It is more than dubious to talk of the critic's guiding a culture or a set of literary tenden- cies ; because in practice the critic is just as much the child and victim of his ...
... critic as a much more detached person than he actually is . It is more than dubious to talk of the critic's guiding a culture or a set of literary tenden- cies ; because in practice the critic is just as much the child and victim of his ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
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admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young