The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 38
Stran iv
... give credit for it . Secondly , even when they might already have held a given idea anyway , they are glad to have that added feeling of con- firmation which the same idea in another nearly always tends to give , and they like to cite ...
... give credit for it . Secondly , even when they might already have held a given idea anyway , they are glad to have that added feeling of con- firmation which the same idea in another nearly always tends to give , and they like to cite ...
Stran iv
... give credit for it. Secondly, even when they might already have held a given idea anyway, they are glad to have that added feeling of confirmation which the same idea in another nearly always tends to give, and they like to cite those ...
... give credit for it. Secondly, even when they might already have held a given idea anyway, they are glad to have that added feeling of confirmation which the same idea in another nearly always tends to give, and they like to cite those ...
Stran 296
... gives , but on the wiser ground that this obsession is a sign of a narrowing of the circle of feelings and interests ... give us " Macbeth " . " Art is not a pleasure , a solace , or an amusement ; art is a great matter . " And to that ...
... gives , but on the wiser ground that this obsession is a sign of a narrowing of the circle of feelings and interests ... give us " Macbeth " . " Art is not a pleasure , a solace , or an amusement ; art is a great matter . " And to that ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
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admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young