The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 34
Stran 189
... Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge ob- tained through the intellect ; knowledge of the indi- vidual or knowledge of the universal ...
... Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge ob- tained through the intellect ; knowledge of the indi- vidual or knowledge of the universal ...
Stran 190
... knowledge obtained through the " imagination " from knowledge obtained through the " intellect " , any self- respecting modern psychologist would have to part company with him . That is merely a relic of a long discredited faculty ...
... knowledge obtained through the " imagination " from knowledge obtained through the " intellect " , any self- respecting modern psychologist would have to part company with him . That is merely a relic of a long discredited faculty ...
Stran 191
... knowledge of " individual things " really and always different in kind from knowledge of the " relations " between them ? Is a Gothic rose window , or even a common snowflake , an individual thing or a pattern of rela- tionships ? Can't ...
... knowledge of " individual things " really and always different in kind from knowledge of the " relations " between them ? Is a Gothic rose window , or even a common snowflake , an individual thing or a pattern of rela- tionships ? Can't ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young