The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 29
Stran ii
... reader would not have needed any acquaintance with the Hegelian dialectic to appre- ciate one of my chief aims . The names that the speakers actually bear will , I hope , make it easy for the reader to distinguish them ; but I do not ...
... reader would not have needed any acquaintance with the Hegelian dialectic to appre- ciate one of my chief aims . The names that the speakers actually bear will , I hope , make it easy for the reader to distinguish them ; but I do not ...
Stran v
A Trialogue Henry Hazlitt. The reader will be mistaken if he assumes that any one of the speakers is consistently the mouth- piece of the author . Some readers may find this very lack of an official spokesman confusing and unfortu- nate ...
A Trialogue Henry Hazlitt. The reader will be mistaken if he assumes that any one of the speakers is consistently the mouth- piece of the author . Some readers may find this very lack of an official spokesman confusing and unfortu- nate ...
Stran 71
... readers — first readers who send back all the manuscripts that are obviously im- possible , then readers who send back manuscripts after a more careful reading , and at length a reader or readers who make the final decision on what is ...
... readers — first readers who send back all the manuscripts that are obviously im- possible , then readers who send back manuscripts after a more careful reading , and at length a reader or readers who make the final decision on what is ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
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admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young