The Anatomy of Criticism: A TrialogueSimon and Schuster, 1933 - 303 strani Examines the nature of literary criticism and appreciation. |
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Zadetki 1–3 od 80
Stran 132
... seems to me that whether criti- cism is living or dead or mere conversation depends almost entirely upon the critic , and hardly at all upon whether the author he is considering happens to be in his grave or walking about . One critic ...
... seems to me that whether criti- cism is living or dead or mere conversation depends almost entirely upon the critic , and hardly at all upon whether the author he is considering happens to be in his grave or walking about . One critic ...
Stran 216
... seems merely affected to us , and we completely neglect him for that reason alone . What seemed lofty eloquence at first now seems hollow bombast , what seemed an exquisite and enchanting prose now seems mere pre- ciosity . We read the ...
... seems merely affected to us , and we completely neglect him for that reason alone . What seemed lofty eloquence at first now seems hollow bombast , what seemed an exquisite and enchanting prose now seems mere pre- ciosity . We read the ...
Stran 245
... seems to me , falls short of great tragedy precisely because his heroes are not ennobled . To get on , however . As we have seen , Aristotle concedes that the poet , like the painter or any other artist , may " imitate " or represent ...
... seems to me , falls short of great tragedy precisely because his heroes are not ennobled . To get on , however . As we have seen , Aristotle concedes that the poet , like the painter or any other artist , may " imitate " or represent ...
Vsebina
Criticisms Right to Exist 7 | 7 |
The Critics Function | 35 |
Objectivity or Subjectivity? | 77 |
Avtorske pravice | |
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admirable Aeschylus aesthetic argument Aristotle Arthur artist believe better bourgeois Brunetière cism course creative Croce Croceans culture economic Edgar Guest Elder ence example exist expression fact feel function genius Goethe Gulliver's Travels I. A. Richards idea imagine individual infallible insist Irving Babbitt judge judgment Jules Lemaître knowledge least Lemaître less literary literature living logic matter Matthew Arnold mean ment merely merits Middleton never novel objective opinion Oscar Wilde painting past perhaps poem poet poetry possible posterity precisely question ranking reader realism reason recognize remarked Remy de Gourmont reputation reviewer Rex Beach Sainte-Beuve seems sense Shakespeare simply social mind sound standards suppose surely T. S. Eliot talent talk taste technique tell theory thing thought tion Tolstoy tradition true truth whole words writer Young