The Romance of Failure: First-person Fictions of Poe, Hawthorne, and James
Oxford University Press, 1989 - 201 strani
This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James: the narrator is both the central actor and the retrospective teller of his tale, at once hero and historian. Auerbach defends the beleaguered `I' in these works against the depersonalizing tendencies of post-structuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first-personform, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.
Mnenja - Napišite recenzijo
Na običajnih mestih nismo našli nobenih recenzij.
Druge izdaje - Prikaži vse
American artist Aspern Papers assume Author of Beltraffio bachelor becomes begins Black Cat Blackwood Blithedale enterprise Blithedale Romance Blithedale's Briss Carpet characters compelled confession Corvick Coverdale Coverdale's critical prefaces Crowd crucial discourse distinction double dramatize Edgar Allan Poe enchanted experience fact figure first-person fiction first-person narrator Gothic Gwendolen Hawthorne Hawthorne's Henry James hoax Hollingsworth human identity imagination individual interaction interpretation intimacy James's Juliana kind literally literary marriage meaning Miles Coverdale minor poet Miss Tina mysterious narrative narrator's Newmarch novel novelist object obsession original passion person plot plotter Poe Poe Poe poet's Premature Burial present Priscilla Psyche Psyche's quest R. P. Blackmur reader reading reality relation remains Roderick Hudson role romance's Sacred Fount satire Scarlet Letter secret sense simply sketch social storyteller suggests tale tell Tell-Tale Heart third-person turn University Press Usher Veiled Lady Vereker Vereker's voice writing York Zenobia