Dialogue' between HE and SHE should have been suppressed for the author's sake. In his last epitaph on himself, in which he attempts to be jocular upon one of the few things that make wise men serious, he confounds the living man with the dead: Under this stone, or under this sill, Or under this turf, &c. When a man is once buried, the question, under what he is buried, is easily decided. He forgot, that though he wrote the epitaph in a state of uncertainty, yet it could not be laid over him till his grave was made. Such is the folly of wit when it is ill employed. The world has but little new; even this wretchedness seems to have been borrowed from the following tuneless lines: Ludovici Areosti humantur ossa Sub hoc marmore, vel sub hac humo, seu Opportunius incidens Viator: Nam scire haud potuit futura, sed nec Tanti erat vacuum sibi cadaver Ut utnam cuperet parere vivens, Surely Ariosto did not venture to expect that his trifle would have ever had such an illustrious imitator. Encomiums on Pope. ON MR. POPE AND HIS POEMS, BY JOHN SHEFFIELD, DUKE OF BUCKINGHAM. WITH age decay'd, with courts and business tired, Encomiums suit not this censorious time, And yet so wonderful, sublime a thing, 'Tis great delight to laugh at some men's ways, But a much greater to give merit praise. TO MR. POPE. BY DR. PARNELL. To praise, and still with just respect to praise, A bard triumphant in immortal bays; The learn'd to show, the sensible commend, Yet still preserve the province of the friend; What life, what vigour, must the lines require! What music tune them, what affection fire! O might thy genius in my bosom shine, Thou should'st not fail of numbers worthy thine; The brightest ancients might at once agree To sing within my lays, and sing of thee. Horace himself would own thou dost excel In candid arts to play the critic well. Ovid himself might wish to sing the dame Whom Windsor Forest sees a gliding stream; On silver feet, with annual osier crown'd, She runs for ever through poetic ground. How flame the glories of Belinda's hair, Made by the Muse the envy of the fair! Less shone the tresses Egypt's princess wore, Which sweet Callimachus so sung before. Here courtly trifles set the world at odds; Belles war with beaux, and whims descend for gods. The new machines, in names of ridicule, Mock the grave frenzy of the chemic fool. But know, ye fair, a point conceal'd with art, The sylphs and gnomes are but a woman's heart: The graces stand in sight; a satyr-train Peeps o'er their head, and laughs behind the scene. In Fame's fair temple, o'er the boldest wits, Enshrined on high the sacred Virgil sits; And sits in measures such as Virgil's Muse, To place thee near him, might be fond to choose. How might he tune the' alternate reed with thee, Perhaps a Strephon thou, a Daphnis he; While some old Damon, o'er the vulgar wise, Parent of flowrets, old Arcadia, hail! Be hush'd ye winds, while Pope and Virgil sing. Himself unknown, his mighty name admired; Here clear the caves, there ope the leading vein, Still, as I read, I feel my bosom beat, And rise in raptures by another's heat. Thus in the wood, when summer dress'd the days, This to my friend; and when a friend inspires, |