Character and the Novel

accept achieve action aesthetic allows artist autonomy aware become Chapter characters choice clearly common complex concerned conditional consciousness consider context course create critical deal depends derive Dickens distinction effect establish Esther example exist experience extreme fact feel fiction final freedom give given greater hand human imagination important individual interest Isabel James kind knowledge least less limited lives look mean merely mimetic mind moral narrative narrator nature never notion novel novelist object omniscient particular past perhaps person perspectives philosophic play possible precisely present problem protagonist question reader reading reality reason relation relationships relatively remains response result Sartre Sartre's seems seen sense simply single situation social society speak story stress surely tend theory things tion true truth turn University variety vision whole wish