Character and the Novel

abstract accept achieve aesthetic aesthetic distance artefact artist autonomy theory become Bleak House C. S. Lewis Chapter characterization choice clearly complex concept conditional freedom consciousness context course create critical Dickens Dickens's dramatic E. M. Forster effect en-soi Esther example existence experience F. R. Leavis fact feel George Eliot greater human Hyacinth identity illusion imagination imitation individual interest irony Isabel Archer James Jarndyce kind L'Âge de Raison La Nausée Le Sursis Leavis limited literary lives Mathieu merely metaphor mimetic mimetic theory modern moral narrative narrator nature Nausée notion novel novelist object omniscient Ortega Osmond particular pattern Paul Muniment perspectives philosophic play poem pour-soi precisely Princess Princess Casamassima problem prose protagonist reader reading realism reality relation relationships response Roquentin Sartre Sartre's seems sense simple situation stress things tion truth Virginia Woolf vision