The Romantic Imagination: Literature and Art in England and GermanyFrederick Burwick, Jürgen Klein Rodopi, 1996 - 454 strani |
Vsebina
14 | |
19 | |
WERNER HOFMANN | 63 |
HORST MELLER | 76 |
GABRIELE ROMMEL | 95 |
FREDERICK BURWICK | 125 |
ROSWITHA BURWICK | 156 |
HOTCHKISS | 177 |
LILIAN R FURST | 269 |
JAMES A W HEFFERNAN | 289 |
GRANT F SCOTT | 315 |
BARBARA MARIA STAFFORD | 335 |
GERALD FINLEY | 357 |
The Contemplative Mode | 377 |
KARL KROEBER | 398 |
JÖRG TRAEGER | 413 |
Druge izdaje - Prikaži vse
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Predogled ni na voljo - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Predogled ni na voljo - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein Predogled ni na voljo - 1996 |
Pogosti izrazi in povedi
Achim von Arnim aesthetic Arnim artistic Beaumont beautiful becomes Blake Blake's Book of Job Byron Coleridge colour concept Constable Constable's creation creative criticism dark Dedham Vale depicted divine eighteenth century ekphrasis essay eternal experience faculty Fall of Hyperion figure frame Friedrich Friedrich Schlegel function garden Goethe Goethe's Herzensergießungen human ideal ideas illustration imagination inspiration J.M.W. Turner Job's John John Keats Josef Haslinger Kant Keats Keats's Kunst landscape language Laocoon letter light literary literature London Mary Shelley mediating Medusa metaphor metaphysical mind myth nature Neoplatonic Newton Novalis object original painter painting perception philosophy picture Picturesque plate poem Poesie poet poetic poetry principle Proclus produced reality reflection representation Romantic Romanticism Satan scene Schelling Schlegel sculpture sense Shelley Shelley's spirit studies style sublime symbolic theory things thought tion tradition Turner viewer vision visual Wackenroder William wisdom words Wordsworth
Priljubljeni odlomki
Stran 24 - Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Stran 26 - The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which could devour any kind of experience.