in other words, for three months together; or, when it was exhausted before, entirely to omit it: whence it comes to pass that fome of his Eclogues (as the Awth, eighth, and tenth for example) have nothing but their Titles to diftinguish them. The reafon is evident, because the year has not that variety in it to furnish every month with a particular defcription, as it may every feafon. Of the following Eclogues I shall only fay, that these four comprehend all the fubjects which the Critics upon Theocritus and Virgil will allow to be fit for paftoral: That they have as much variety of description, in respect of the several seasons, as Spenfer's; that in order to add to this variety, the several times of the day are obferv'd, the rural employments in each feason or time of day, and the rural scenes or places proper to fuch employments; not without fome regard to the several ages of man, and the different paffions proper to each age. But after all, if they have any merit, it is to be attributed to some good old Authors, whose works as I had leifure to study, so, I hope, I have not wanted care to imitate. SPRING. THE FIRST PASTORAL, OR DAMO N. To Sir WILLIAM TRUMBAL. FIRST IRST in these fields I try the fylvan strains, Nor blush to sport on Windfor's blissful plains: Fair Thames, flow gently from thy facred spring, While on thy banks Sicilian Muses fing; NOTES. These Pastorals were written at the age of fixteen, and then paft thro the hands of Mr. Walsh, Mr. Wycherley, G. Granville afterwards Lord Lansdown, Sir William Trumbal, Dr. Garth, Lord Hallifax, Lord Somers, Mr. Mainwaring, and others. All these gave out Author the greatest encouragement, and particularly Mr. Walsh, whom Mr. Dryden, in his Postscript to Virgil, calls the best Critic of his age. "The Author (fays he) seems to have " a particular genius for this kind of Poetry, and a Judgment "that much exceeds his years. He has taken very freely from "the Ancients. But what he has mixed of his own with theirs " is no way inferior to what he has taken from them. It is not flattery at all to fay that Virgil hat written nothing fo good at his Age. His Preface is very judicious and learned. " Letter to Mr. Wycherley, Ap. 1705. The Lord Lansdown about the fame time, mentioning the youth of our Poet, fays (in a printed Letter of the Character of Mr. Wycherley) "that if he goes on "as he has begun in his Paftoral way, as Virgil first tried his Let vernal airs thro' trembling ofiers play, 5 You, that too wife for pride, too good for pow'r, Enjoy the glory to be great no more, 10 NOTES. "strength, we may hope to fee English Poetry vie with the Roman, " &c. Nothwithstanding the early time of their prodution, the Author efteemed these as the most corret in the verfification, and musical in the numbers, of all his works. The reason for his labouring them into so much foftness, was, doubtles, that this fort of poetry derives almost its whole beauty from a natural case of tought and smoothness of verse; whereas that of most other kinds confifts in the strength and fulness of both. In a letter of his to Mr. Walsh about this time we find an enumeration of feveral niceties in Verfification, which perhaps have never been ftrictly observed in any English poem, except in these Paftorals. They were not printed till 1709. Sir William Trumbal.) Our Author's friendship with this gentleman commenced at very unequal years, he was under fixteen, but Sir William above fixty, and had lately refign'd his employ. ment of Secretary of State to King William. VER. 12. in your native shades) Sir W. Trumbal was born in Windfor-forest, to which he retired, after he had refigned the poft of Secretary of State to King William III. IMITATIONS. VER. 1. Prima Syracofio dignata est ludere verfu, This is the general exordium and opening of the Pastorals, in imitation of the fixth of Virgil, which fome have therefore not improbably thought to have been the first originally. In the beginnings of the other three Paftorals he imitates exprefly those which now stand first of the three chief Poets in this kind, Spencer, Virgil, Theocritus. So when the Nightingale to reft removes, Soon as the flocks fhook of the nightly dews, 20 DAPHNIS. Hear how the birds, on ev'ry bloomy spray, With joyous music wake the dawning day! 25 NOTES VER. 17. etc. The Scene of this Paftoral a Valley, the Time the Morning. It stood originally thus, Daphnis and Strephen to the shades retir'd, Both warm'd by Love, and by the Muse inspir'd, IMITATIONS. A Shepherd's Boy (he feeks no better name) - are manifeftly imitations of Shepherd's Boy (no better do him call) Tityre, tu patulæ recubans fub tegmine fagi. STREPHON. Sing then, and Damon fhall attend the strain, While yon' flow oxen turn the furrow'd plain. 30 Here the bright crocus and blue vi'let glow; Here western winds on breathing rofes blow. I'll stake yon' lamb, that near the fountain plays, And from the brink his dancing fhade surveys. DAPHNIS. 35 And I this bowl, where wanton ivy twines, And fwelling clusters bend the curling vines: Four figures rifing from the work appear, The various seasons of the rowling year; And what is that, which binds the radiant sky, Where twelve fair figns in beauteous order lie? 40 DAMON. Then fing by turns, by turns the Muses sing, Now hawthorns bloffom, now the daifies spring, VARIA TIONS. VER. 34. The first reading was, And his own image from the bank furveys. VER. 36. And clusters lurk beneath the curling vines. VER. 35, 36. IMITATIONS. Lenta quibus torno facili fuperaddita vitis, Diffufos edera vestit pallente corymbos. Virg. VER. 38. The various seasons) The fubject of these Paftorals engraven on the bowl is not without its propriety. The Shepherd's befitation at the name of the Zodiac, imitates that in Virgil, Et quis fuit alter, Defcripfit radio torum qui gentibus orbem? Et nunc omnis ager, nunc omnis parturit arbos, |