Music and the Emotions: The Philosophical TheoriesRoutledge, 2002 - 204 strani It has often been claimed, and frequently denied, that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions. |
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another’s awareness believe bodily movement character characterisation composer concept definite feeling Deryck Cooke Edmund Gurney elements Emotion and Meaning emotion terms emotional quality excitement experience of hearing experience of music explanation expression of emotion expressive aspect expressive music fact feeling or emotion Gurney Gurney’s Hanslick heard hearing sadness hedonic Hence human human voice idea impressive individual knowing subject inhibition involves Kendall Walton kind of emotion Langer listener’s Ludwig Wittgenstein make-believedly Malcolm Budd Meaning in Music melodic forms Meyer’s theory musical arousal musical expression musical meaning musical value nature object pathetic fallacy perception person person’s phenomenon piece of music pitch pleasure or pain position possess possible Power of Sound Pratt presentational symbol purely audible features realised relation represent representation response to music sad voice satisfaction Schopenhauer sense significance someone’s specifically musical structure tendency to respond theory of musical thesis unconsummated symbol understand value of music vocal expression