The Foundations of AestheticsLear Publishers, 1925 - 92 strani |
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aesthetic emotion aesthetic experience Aesthetic Pleasure appreciation apter artist auld lang syne beautiful-which become Bosanquet British Museum called Art Chung Yung Clive Bell common and peculiar common peculiar quality common qualities condition conflict connection Croce Czartoryski Museum described discussion Doctrine of Equilibrium doctrines of Group effect emotionalist Empathy Equilibrium and Harmony essentially expression Expressionist feeling field form-impulse frae function Genius Goya Grant Allen hedonic illusion imitation intelligence intuition involved judgment language less Lipps means medium ment mind naebody nature objective balance ourselves plain Plate play pleasure view poetry powers of accepted Prince André produce Professor Psychology of Beauty qu'ils question reason recognising refer regarded relations remarks Revelatory rhythm Roger Fry Schiller selection sense sets of impulses shew significant form stimulation supposed Synaesthesis thee theory of Beauty thetic things thou tion Tolstoi's Truth Type unity unity pro Vernon Lee VIII
Priljubljeni odlomki
Stran 50 - It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the Sea: Listen!
Stran 40 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony, And his droop'd head sinks gradually low— And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him — he is gone, Ere ceased the inhuman shout which hail'd the wretch who won.
Stran 62 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Stran 53 - The hand of the reaper Takes the ears that are hoary, But the voice of the weeper Wails manhood in glory. The autumn winds rushing Waft the leaves that are searest, But our flower was in flushing, When blighting was nearest.
Stran 17 - If I forget thee, O Jerusalem, Let my right hand forget her cunning. If I do not remember thee, Let my tongue cleave to the roof of my mouth: Yea, if I prefer not Jerusalem Above my chief joy.
Stran 17 - For they that led us away captive, required of us then a song, and melody in our heaviness : Sing us one of the songs of Sion.
Stran 72 - BREAK, break, break, On thy cold gray stones, O Sea ! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play ! O well for the sailor lad, That he sings in his boat on the bay...
Stran 18 - O daughter of Babylon, who art to be destroyed; happy shall he be, that rewardeth thee as thou hast served us. Happy shall he be, that taketh and dasheth thy little ones against the stones.
Stran 22 - For it had learnt all harmonies Of the plains and of the skies, Of the forests and the mountains, And the many-voiced fountains; The clearest echoes of the hills, The softest notes of falling rills, The melodies of birds and bees...
Stran 22 - And the many- voiced fountains; The clearest echoes of the hills, The softest notes of falling rills, The melodies of birds and bees, The murmuring of summer seas, And pattering rain, and breathing dew, And airs of evening; and it knew That seldom-heard, mysterious sound Which, driven on its diurnal round, As it floats through boundless day, Our world enkindles on its way.