Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 80
Stran 357
... begins and ends at a seaside resort , on the margin between nature and culture , where a leisured or , anyway , a lucky few may be given ( as only a few have always been given ) the chance to witness the birth of erotic power in the ...
... begins and ends at a seaside resort , on the margin between nature and culture , where a leisured or , anyway , a lucky few may be given ( as only a few have always been given ) the chance to witness the birth of erotic power in the ...
Stran 358
... begins with the comical curse of the caged parrot- " Allez vous - en ! Allez vous - en ! Sapristi ! ” — and with the information that this same bird also speaks " a language which nobody understood , un- less it was the mocking bird ...
... begins with the comical curse of the caged parrot- " Allez vous - en ! Allez vous - en ! Sapristi ! ” — and with the information that this same bird also speaks " a language which nobody understood , un- less it was the mocking bird ...
Stran 475
... begin to assemble the political history of the present . I say " to begin " because it is immediately ap- parent that ... begins to dissolve , its bound- aries to waver as the enterprise unfolds . The text does not disappear , though the ...
... begin to assemble the political history of the present . I say " to begin " because it is immediately ap- parent that ... begins to dissolve , its bound- aries to waver as the enterprise unfolds . The text does not disappear , though the ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing