Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 92
Stran 215
... character narrative adverbs , narra- tive adjectives , and so forth . In all this , there are scarcely grounds for helping us understand why the great fictional characters engage us so powerfully and even provide illumination for our ...
... character narrative adverbs , narra- tive adjectives , and so forth . In all this , there are scarcely grounds for helping us understand why the great fictional characters engage us so powerfully and even provide illumination for our ...
Stran 216
... character are as pronounced as those of the linguistic formalists , and attention to them will bring us closer to what occurs in literary mimesis . The whole idea of the realist work as a “ machine of re- pression " is a piece of ...
... character are as pronounced as those of the linguistic formalists , and attention to them will bring us closer to what occurs in literary mimesis . The whole idea of the realist work as a “ machine of re- pression " is a piece of ...
Stran 227
... characters . Holland argues that " we should use psychology on our own real and lively reactions " to the work " rather than on the characters ' fictitious minds " ( p . 308 ) . He feels that character study is useful and le- gitimate ...
... characters . Holland argues that " we should use psychology on our own real and lively reactions " to the work " rather than on the characters ' fictitious minds " ( p . 308 ) . He feels that character study is useful and le- gitimate ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing