Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 86
Stran 74
... complex structures like Hamlet , for instance , one critic may demonstrate a consistent image pattern , a second may remark the fitting of speech to character , a third may illuminate structural parallels , a fourth call attention to ...
... complex structures like Hamlet , for instance , one critic may demonstrate a consistent image pattern , a second may remark the fitting of speech to character , a third may illuminate structural parallels , a fourth call attention to ...
Stran 76
... complex characters in complex situations , it offers us a world of actions with emotional and moral significance . For the poem , through the magic of the concrete symbol , mediates between the abstract world of the philosophic and ...
... complex characters in complex situations , it offers us a world of actions with emotional and moral significance . For the poem , through the magic of the concrete symbol , mediates between the abstract world of the philosophic and ...
Stran 304
... complex grammar which speakers of English have assimilated . Without the complex knowledge brought to the communicative act , they have none of these properties . Moving from language to literature , we find an analogous situation ...
... complex grammar which speakers of English have assimilated . Without the complex knowledge brought to the communicative act , they have none of these properties . Moving from language to literature , we find an analogous situation ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing