Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 87
Stran 19
... course , that the text automatically has a meaning simply be- cause it represents an unalterable sequence of words . It assumes that the meaning of a word sequence is di- rectly imposed by the public norms of language , that the text as ...
... course , that the text automatically has a meaning simply be- cause it represents an unalterable sequence of words . It assumes that the meaning of a word sequence is di- rectly imposed by the public norms of language , that the text as ...
Stran 85
Donald Keesey. share , whirled about as they are in earth's diurnal course . Why does the image convey so powerfully the sense of something inert and helpless ? Part of the effect , of course , resides in the fact that a dead life ...
Donald Keesey. share , whirled about as they are in earth's diurnal course . Why does the image convey so powerfully the sense of something inert and helpless ? Part of the effect , of course , resides in the fact that a dead life ...
Stran 463
... course , relate Nostromo to the rest of Conrad's fiction ) cannot simply be accounted for in terms of " psycho- logical " factors in Conrad himself ; for individual psychology is also a social product . The pessimism of Conrad's world ...
... course , relate Nostromo to the rest of Conrad's fiction ) cannot simply be accounted for in terms of " psycho- logical " factors in Conrad himself ; for individual psychology is also a social product . The pessimism of Conrad's world ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing