Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 87
Stran 314
... defined as pragmatic rather than natural , as defined rather than found , and as used rather than described , then there are precisely as many genres as we need , genres whose conceptual shape is precisely determined by that need . They ...
... defined as pragmatic rather than natural , as defined rather than found , and as used rather than described , then there are precisely as many genres as we need , genres whose conceptual shape is precisely determined by that need . They ...
Stran 323
... defined aesthetically : in terms of the text's " feel " of unique- ness , particularity , and richness ; in terms of an in- dwelling order , which is itself variously defined , being at times an " organic " unity , at times a syllogis ...
... defined aesthetically : in terms of the text's " feel " of unique- ness , particularity , and richness ; in terms of an in- dwelling order , which is itself variously defined , being at times an " organic " unity , at times a syllogis ...
Stran 329
... defined genre constitutes the poem , causing us to " see " it in the genre's terms . It can and does con- strain interpretation . But unlike the " theoretical " genre , its choice or definition is not itself con- strained by a " deeper ...
... defined genre constitutes the poem , causing us to " see " it in the genre's terms . It can and does con- strain interpretation . But unlike the " theoretical " genre , its choice or definition is not itself con- strained by a " deeper ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing