Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Zadetki 1–3 od 84
Stran 434
... desire and public law . " If society depends for its ex- istence on certain rules governing what may be combined and what should be kept separate , then adultery , by bringing the wrong things together in the wrong places ( or the wrong ...
... desire and public law . " If society depends for its ex- istence on certain rules governing what may be combined and what should be kept separate , then adultery , by bringing the wrong things together in the wrong places ( or the wrong ...
Stran 438
... desire that Edna Pontellier ini- tially resides , and in order to understand how this transgressive impulse is ... desire and to the social reality that thwarts this desire . This is to argue that The Awakening is a text that asks for ...
... desire that Edna Pontellier ini- tially resides , and in order to understand how this transgressive impulse is ... desire and to the social reality that thwarts this desire . This is to argue that The Awakening is a text that asks for ...
Stran 485
... desires he can say : “ I know them all , and have not rashly over- slipped any . " The letter , then , rehearses the power of the civil subject to maintain self - control and to bring the other into his service , even as it refers to a ...
... desires he can say : “ I know them all , and have not rashly over- slipped any . " The letter , then , rehearses the power of the civil subject to maintain self - control and to bring the other into his service , even as it refers to a ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing