Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Zadetki 1–3 od 89
Stran 228
... fiction escapes dramatic and thematic analysis and can be understood only in terms of its mimetic function . A careful examination of the nature of realistic fiction as modern criticism is coming to conceive it will show that in certain ...
... fiction escapes dramatic and thematic analysis and can be understood only in terms of its mimetic function . A careful examination of the nature of realistic fiction as modern criticism is coming to conceive it will show that in certain ...
Stran 233
... fiction is a mimetic characterization which gives us a phenome- nological grasp of experience in its immediacy and ambiguity and that the value of such characteriza- tion lies precisely in its continual resistance to the patterns by ...
... fiction is a mimetic characterization which gives us a phenome- nological grasp of experience in its immediacy and ambiguity and that the value of such characteriza- tion lies precisely in its continual resistance to the patterns by ...
Stran 474
... Fiction draws not only on other fic- tion but on the knowledges of its period , discourses in circulation which are themselves sites of power and the contest for power . In the case of Macbeth , for instance , the Victorian fable of ...
... Fiction draws not only on other fic- tion but on the knowledges of its period , discourses in circulation which are themselves sites of power and the contest for power . In the case of Macbeth , for instance , the Victorian fable of ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
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Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing