Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 93
Stran 43
... less constrained consideration of the problems attendant upon the opposing claims of obedience and conscience ; here there is a willing- ness to allow the emergence of contradiction , a less settled sense of the make - up and politics ...
... less constrained consideration of the problems attendant upon the opposing claims of obedience and conscience ; here there is a willing- ness to allow the emergence of contradiction , a less settled sense of the make - up and politics ...
Stran 326
... less useful in explanation than the former , for just as incompletion leads us to complete , differ- ence ( or , as we more usually and less precisely say , " error " ) leads us to " correct , " to define similitude . And the activity ...
... less useful in explanation than the former , for just as incompletion leads us to complete , differ- ence ( or , as we more usually and less precisely say , " error " ) leads us to " correct , " to define similitude . And the activity ...
Stran 386
... less naïve , more or less empirical , more or less systematic , more or less close to the formulation or even to the for- malization of this circle . It is these differences which explain the multiplicity of destructive discourses and ...
... less naïve , more or less empirical , more or less systematic , more or less close to the formulation or even to the for- malization of this circle . It is these differences which explain the multiplicity of destructive discourses and ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing