Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 141
... live by scientific truth alone . Indeed , they live very little by it . Human beings are essentially bundles of desires and aversions , of " appetencies , " to use Richards's term . Our lives consist of trying to satisfy as many of ...
... live by scientific truth alone . Indeed , they live very little by it . Human beings are essentially bundles of desires and aversions , of " appetencies , " to use Richards's term . Our lives consist of trying to satisfy as many of ...
Stran 193
... live , That nature yet remembers What was so fugitive ! ( 130-33 ) Because forms of experience live in embers that are dying , the problem presented by transient immer- sion in childhood delight evaporates . The narrator's awareness of ...
... live , That nature yet remembers What was so fugitive ! ( 130-33 ) Because forms of experience live in embers that are dying , the problem presented by transient immer- sion in childhood delight evaporates . The narrator's awareness of ...
Stran 422
... lives , or tries to live , in illusions that the play shows inade- quate . In this context he specially emphasizes that il- lusions , even fond dreams of evildoing , are natural , opening wide the door to a popular paradox ( or would ...
... lives , or tries to live , in illusions that the play shows inade- quate . In this context he specially emphasizes that il- lusions , even fond dreams of evildoing , are natural , opening wide the door to a popular paradox ( or would ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing