Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 91
Stran 19
... meaning simply be- cause it represents an unalterable sequence of words . It assumes that the meaning of a word sequence is di- rectly imposed by the public norms of language , that the text as a " piece of language " is a public object ...
... meaning simply be- cause it represents an unalterable sequence of words . It assumes that the meaning of a word sequence is di- rectly imposed by the public norms of language , that the text as a " piece of language " is a public object ...
Stran 21
... meaning is simply incorrect . The general principle implied by my analysis is very simple . The sub - meanings of a text are not blocks which can be brought together additively . Since verbal ( and any other ) meaning is a structure of ...
... meaning is simply incorrect . The general principle implied by my analysis is very simple . The sub - meanings of a text are not blocks which can be brought together additively . Since verbal ( and any other ) meaning is a structure of ...
Stran 23
... meaning represented by the text is not the parole of an author , but rather the parole of " the speech community . " But since only individuals utter paroles , a parole of the speech community is a non - existent , or what the Germans ...
... meaning represented by the text is not the parole of an author , but rather the parole of " the speech community . " But since only individuals utter paroles , a parole of the speech community is a non - existent , or what the Germans ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing