Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 16
Stran
... mind and bodies is something that stems from Descartes's dualism. For Spinoza causation requires force. Bodies have forces to move other bodies or to stop them from moving; and human minds also have force with the help of whi minds ...
... mind and bodies is something that stems from Descartes's dualism. For Spinoza causation requires force. Bodies have forces to move other bodies or to stop them from moving; and human minds also have force with the help of whi minds ...
Stran 315
... mind that is divided between two alternatives with respect to its specific object” is the definition of doubt. The basis for definition is a mind thinking: “Are there former and later lives or are there not?” A mind that has doubt means ...
... mind that is divided between two alternatives with respect to its specific object” is the definition of doubt. The basis for definition is a mind thinking: “Are there former and later lives or are there not?” A mind that has doubt means ...
Stran 488
... mind directly as an object among other objects ; ( ii ) we cannot infer mind from observation of bodies ; ( iii ) supposing we can become aware of our own mind , yet our awareness of our own mind will not help us to make in- ferences ...
... mind directly as an object among other objects ; ( ii ) we cannot infer mind from observation of bodies ; ( iii ) supposing we can become aware of our own mind , yet our awareness of our own mind will not help us to make in- ferences ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing