Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Zadetki 1–3 od 92
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... offers another view of how Chopin uses clothing to characterize her protagonist . See " The Dismantling of Edna Pontellier : Garment Imagery in Kate Chopin's The Awakening , " South- ern Studies 23 ( Summer 1984 ) , 176–197 . 9. This is ...
... offers another view of how Chopin uses clothing to characterize her protagonist . See " The Dismantling of Edna Pontellier : Garment Imagery in Kate Chopin's The Awakening , " South- ern Studies 23 ( Summer 1984 ) , 176–197 . 9. This is ...
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... offers to explain a central fact that nearly everyone recognizes but that no other theory can adequately account for : peo- ple who have read a lot of poetry can generally interpret a given poem better than people who have not . We ...
... offers to explain a central fact that nearly everyone recognizes but that no other theory can adequately account for : peo- ple who have read a lot of poetry can generally interpret a given poem better than people who have not . We ...
Stran 381
... offers a way of reading texts that combines and extends formal and intertextual analysis , but with the crucial dif- ferences noted above . On another level , and perhaps more importantly , it offers a metacritical and skeptical ...
... offers a way of reading texts that combines and extends formal and intertextual analysis , but with the crucial dif- ferences noted above . On another level , and perhaps more importantly , it offers a metacritical and skeptical ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
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Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing