Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 87
Stran 130
... sense . Wordsworth ( in the Fenwich Notes ) is perfectly explicit on the " dream - like vivid- ness and splendour which invest objects of sight in childhood . " There is , however , another , separate , and different recollection ...
... sense . Wordsworth ( in the Fenwich Notes ) is perfectly explicit on the " dream - like vivid- ness and splendour which invest objects of sight in childhood . " There is , however , another , separate , and different recollection ...
Stran 280
... senses and , even more confusing , it has long been used to label critical approaches very different from his own . “ Arche- type " presents similar problems . Frye's sense of " recurrently employed images and symbols " clearly fits the ...
... senses and , even more confusing , it has long been used to label critical approaches very different from his own . “ Arche- type " presents similar problems . Frye's sense of " recurrently employed images and symbols " clearly fits the ...
Stran 298
... sense of history within lit- erature to complement the historical criticism that relates literature to its non - literary historical back- ground . Similarly , it must develop its own form of historical overview , on the basis of what ...
... sense of history within lit- erature to complement the historical criticism that relates literature to its non - literary historical back- ground . Similarly , it must develop its own form of historical overview , on the basis of what ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
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Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing