Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Iz vsebine knjige
Zadetki 1–3 od 85
Stran 73
... tell us the various ways he used the word on other occasions . But none of these , says the formalist , will tell us exactly what the word means in the lines in question . Only a full understanding of their immediate context — that is ...
... tell us the various ways he used the word on other occasions . But none of these , says the formalist , will tell us exactly what the word means in the lines in question . Only a full understanding of their immediate context — that is ...
Stran 282
... tell us what we are ; memory may tell us what we were ; but only the imagination can tell us what we might be . It is the function of art to provide these imagined worlds , and to the extent that artists work with the materials of this ...
... tell us what we are ; memory may tell us what we were ; but only the imagination can tell us what we might be . It is the function of art to provide these imagined worlds , and to the extent that artists work with the materials of this ...
Stran 566
... tell you what manner of woman you are . " His finger strayed occasionally down to her warm , smooth cheeks and firm chin , which was growing a little full and double . " Oh , yes ! You will tell me that I am adorable ; everything that ...
... tell you what manner of woman you are . " His finger strayed occasionally down to her warm , smooth cheeks and firm chin , which was growing a little full and double . " Oh , yes ! You will tell me that I am adorable ; everything that ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
44 preostalih delov ni prikazanih
Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing