Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 strani In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Zadetki 1–3 od 88
Stran 93
... things and perpetuates their apprehension . " Wordsworth . spoke of the abstracting and modifying powers of the imagination . Aristotle said that the greatest thing was the use of metaphor , because it meant an eye for * I do not mean ...
... things and perpetuates their apprehension . " Wordsworth . spoke of the abstracting and modifying powers of the imagination . Aristotle said that the greatest thing was the use of metaphor , because it meant an eye for * I do not mean ...
Stran 130
... things , Fallings from us , vanishings ; Blank misgivings of a Creature Moving about in worlds not realised , High instincts before which our mortal Nature Did tremble like a guilty Thing surprised . This is , in language , virtually ...
... things , Fallings from us , vanishings ; Blank misgivings of a Creature Moving about in worlds not realised , High instincts before which our mortal Nature Did tremble like a guilty Thing surprised . This is , in language , virtually ...
Stran 206
Donald Keesey. concept of mimesis . For one thing , it explains how it is possible for a mimetic art to represent men as " better than they are " or things " as they ought to be , " just as a sculptor may study several models in order to ...
Donald Keesey. concept of mimesis . For one thing , it explains how it is possible for a mimetic art to represent men as " better than they are " or things " as they ought to be , " just as a sculptor may study several models in order to ...
Vsebina
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Avtorske pravice | |
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Pogosti izrazi in povedi
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing