Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
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Zadetki 1–3 od 49
Stran 198
... merely confirmed the inevitability of death . They did not show how a man might be free , but only defined the conditions of his slavery . It was a know- ledge of the whole , as a means to wholeness in himself , which Tolstoy sought ...
... merely confirmed the inevitability of death . They did not show how a man might be free , but only defined the conditions of his slavery . It was a know- ledge of the whole , as a means to wholeness in himself , which Tolstoy sought ...
Stran 277
... merely sensual motives in modern art , his condemnation was justified . But so far as they were passions which artists had strug- gled to translate into the purer terms of imagination and humanity , they were necessary ingredients in a ...
... merely sensual motives in modern art , his condemnation was justified . But so far as they were passions which artists had strug- gled to translate into the purer terms of imagination and humanity , they were necessary ingredients in a ...
Stran 280
... mere emotion , arbitrarily qualified as religious , and so put it on the level of the natural man . There is indeed in all great art a fundamental natural- ness . It originates in a deep instinctive impulse , but so far as it remains merely ...
... mere emotion , arbitrarily qualified as religious , and so put it on the level of the natural man . There is indeed in all great art a fundamental natural- ness . It originates in a deep instinctive impulse , but so far as it remains merely ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
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accepted admit animal Anna Karenina appetites artist beauty body CALIFORNIA/SANTA CRUZ Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception conflict conscience consciousness Cossacks creative criticism CRUZ The University death denial deny desire dream egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thought tion Tolstoy's true truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA virtue War and Peace whole woman women writing Yasnaya Polyana