Philosophy of the Arts: An Introduction to AestheticsRoutledge, 7. sep. 2006 - 240 strani A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated. |
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... appreciation andstudy of works of art of everykind. Philosophers are not the onlypeople to develop theoriesofart. Sociologists, musicologists, art critics, and literarytheorists have done soaswell.But what philosophyhas to say onthese ...
... appreciation andstudy of works of art of everykind. Philosophers are not the onlypeople to develop theoriesofart. Sociologists, musicologists, art critics, and literarytheorists have done soaswell.But what philosophyhas to say onthese ...
Stran
... appreciating awork of art requires imaginative activity on the part of the observer no less than the maker. The mind of the artist and themind of the audience,we ... appreciation. Granted all this, we may nevertheless ask why experiences of.
... appreciating awork of art requires imaginative activity on the part of the observer no less than the maker. The mind of the artist and themind of the audience,we ... appreciation. Granted all this, we may nevertheless ask why experiences of.
Stran
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
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Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Stran
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
Dosegli ste zgornjo mejo števila strani te knjige, ki je na voljo.
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activity aesthetic allows answer appearance appreciation architecture argument artistic ªthe attention audience beautiful building called canbe chapter character claim Collingwood communication complexity composers conception concerned connection considered construction contrast course criticism definition described determine difficulties direct distinction doubt effect emotion example experience explain exploration expression expressivism fact feeling follows function further give greater human idea images imagination important instance intention interest interpretation inthe isnot itis judgement language less literary literature look Marxist matter means merely mind namely nature normative object ofart ofthe original painting perhaps philosophical picture play pleasure poem poetry possible present problem question reason reference regarded relation representation represented seems sense serve significance social sort sound speak structure suggestion suppose theory things thought tobe true truth understanding University valuable visual writing