The Tenth Muse (Routledge Revivals): Essays in CriticismRoutledge, 22. dec. 2015 - 348 strani This book, first published in 1957, is a collection of Herbert Read’s essays on various topics. The essays explore many different subjects and themes, including art, literature, religion and philosophy. This title will be of interest to a variety of readers. |
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| 1 | |
| 5 | |
the Return to Symbolism | 30 |
4 The Inspired Tinker | 37 |
5 Goethe and Art | 43 |
6 Naum Gabo | 52 |
7 Walter Pater | 58 |
8 The Writer and His Region | 66 |
22 The Drama and the Theatre | 181 |
23 Two Notes on a Trilogy | 189 |
24 C G Jung | 197 |
25 The Prelude | 215 |
26 Barbara Hepworth | 227 |
27 Susanne Langer | 239 |
28 Henry Miller | 250 |
29 De Stijl | 256 |
9 Max Stirner | 74 |
10 Frank Lloyd Wright | 82 |
11 Religion and Culture | 90 |
12 Michelangelo and Bernini | 97 |
13 The Limits of Logic | 106 |
14 Baudelaire as Art Critic | 113 |
15 The Image in Modern English Poetry | 117 |
16 De Tocqueville on Art in America | 138 |
17 Sotto Voce | 146 |
18 George Lukács | 156 |
19 The Romantic Revolution | 162 |
20 The Sustaining Myth | 171 |
21 On First Reading Nietzsche | 173 |
30 Ezra Pound | 260 |
31 The Architect as Universal Man | 275 |
32 Gandhi | 284 |
33 The Enjoyment of Art | 288 |
34 DArcy Thompson | 293 |
35 A Seismographic Art | 297 |
36 Tribal Art and Modern Man | 304 |
37 Graham Sutherland | 310 |
38 Kokoschka | 313 |
39 The Problem of the Zeitgeist | 316 |
40 The Faith of a Critic | 322 |
Notes | 329 |
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abstract abstract art aesthetic architecture art criticism artist Barbara Hepworth Baudelaire beauty Bernini broadcasting Byzantine art called Coleridge colour com con conception consciousness contemporary creative cubism culture D. H. Lawrence D’Arcy Thompson dis distinction dream Eliot essay example existence experience expression feeling Frank Lloyd Wright free verse Gabo Gauguin Goethe Henry James human idea ideal imagination James James’s Jung kind Langer language literary literature living logic means merely Michelangelo mind modern art nature Naum Gabo never Nietzsche object one’s organic painter painting passion Pater pattern perfect perhaps philosophy plastic plays poem poet poet’s poetic poetry Pound primitive principle pro realism reality realized religion rococo romantic romanticism Ruskin sculpture seems sense sensibility Shakespeare significance spirit Stirner style symbols T. E. Hulme things thought tion truth unconscious universal verse visual vitality whole word Wordsworth Wright writing