The Aesthetic of Drama: And, Stalin's PlaysEnnes Publications, 1995 - 216 strani |
Iz vsebine knjige
Zadetki 1–3 od 30
Stran 110
... kind of pleasure , i.e. we call ' beauty ' that which pleases us without evoking in us desire " . " There is no objec- tive definition of beauty . The existing definitions ( both the metaphysical and the experimental ) amount only to ...
... kind of pleasure , i.e. we call ' beauty ' that which pleases us without evoking in us desire " . " There is no objec- tive definition of beauty . The existing definitions ( both the metaphysical and the experimental ) amount only to ...
Stran 121
... kind ' . 3. The historical approach assumes that art is condi- tioned by the nature of contemporary society . The argument is that the totality of social forces to which the artist is exposed obliges him to create a kind of art which he ...
... kind ' . 3. The historical approach assumes that art is condi- tioned by the nature of contemporary society . The argument is that the totality of social forces to which the artist is exposed obliges him to create a kind of art which he ...
Stran 147
... kind of art ; but its being put on the boards is another kind of art . The former is a literary art and the latter a superfine art . We are concerned here with both for the relationship between the two is integral . That is there can be ...
... kind of art ; but its being put on the boards is another kind of art . The former is a literary art and the latter a superfine art . We are concerned here with both for the relationship between the two is integral . That is there can be ...
Pogosti izrazi in povedi
19th century acting actor aesthetic Aristotle art critics art for art's art piece art's sake artist audience beauty become Bertrand Russell called Chalukyas character Chola classical consumer of art create art creation culture dance dialogue drama dramatic literature dramatists Duryodhana Elavarkulali emotional enjoyment epic expression fact feelings Greek Hegel Hindu historical plays human idea imagination imitation instinct intellectual James Joyce judgement Kanchi Kulakkolundu later literary means mind modern art moral Nagappattinam Nataka nature object obscenity Oscar Wilde painting Pallava performance person philosophers Plato playwright pleases pleasure plot poem poetic poetry poets produce psychological purpose radio Rajendra reaction reader reality religion role romantic romanticism Ruskin Russell Sambandam Sanskrit says sculpture Sembian sense Shakespeare Silappadikaram social plays Sophocles speech stage Stalin story sublime Sudarkkodi symbol Tamil Tamil literature taste theatre theme theory thought tion tragedy tragic truth ugliness Urmila Vajrabodhi Vegavati viewer Walter Pater word write wrote