The Aesthetic of Drama: And, Stalin's PlaysEnnes Publications, 1995 - 216 strani |
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Zadetki 1–3 od 20
Stran 19
... known story of how Kulasekhara Alvar , a Vaishnava devotee , while hearing a recitation of the Ramayana episode of Ravana's abduction of Sita , forgot that the discourse was a narrative of an event supposed to have occurred cen- turies ...
... known story of how Kulasekhara Alvar , a Vaishnava devotee , while hearing a recitation of the Ramayana episode of Ravana's abduction of Sita , forgot that the discourse was a narrative of an event supposed to have occurred cen- turies ...
Stran 176
... known to Sanskrit dramatists , and also treats tragedy as an acceptable dramatic genre , following the Greeks . He goes to the extent of mentioning the Nepat yam as Pasarai ( a Tamil rendering of greenroom ) . This exhaustive work has ...
... known to Sanskrit dramatists , and also treats tragedy as an acceptable dramatic genre , following the Greeks . He goes to the extent of mentioning the Nepat yam as Pasarai ( a Tamil rendering of greenroom ) . This exhaustive work has ...
Stran 199
... known to history but plays the hero's part in the play . Rajendra I is known to have had only three sons : Rajadhiraja , Rajendra II and Vira Rajendra , who are also known to have ruled the Chola kingdom in that order . But Stalin's ...
... known to history but plays the hero's part in the play . Rajendra I is known to have had only three sons : Rajadhiraja , Rajendra II and Vira Rajendra , who are also known to have ruled the Chola kingdom in that order . But Stalin's ...
Pogosti izrazi in povedi
19th century acting actor aesthetic Aristotle art critics art for art's art piece art's sake artist audience beauty become Bertrand Russell called Chalukyas character Chola classical consumer of art create art creation culture dance dialogue drama dramatic literature dramatists Duryodhana Elavarkulali emotional enjoyment epic expression fact feelings Greek Hegel Hindu historical plays human idea imagination imitation instinct intellectual James Joyce judgement Kanchi Kulakkolundu later literary means mind modern art moral Nagappattinam Nataka nature object obscenity Oscar Wilde painting Pallava performance person philosophers Plato playwright pleases pleasure plot poem poetic poetry poets produce psychological purpose radio Rajendra reaction reader reality religion role romantic romanticism Ruskin Russell Sambandam Sanskrit says sculpture Sembian sense Shakespeare Silappadikaram social plays Sophocles speech stage Stalin story sublime Sudarkkodi symbol Tamil Tamil literature taste theatre theme theory thought tion tragedy tragic truth ugliness Urmila Vajrabodhi Vegavati viewer Walter Pater word write wrote