The Aesthetic of Drama: And, Stalin's PlaysEnnes Publications, 1995 - 216 strani |
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Zadetki 1–3 od 82
Stran 181
... play is produced with the specific view of its being radio broadcast , the playwright will adjust his plot and action to the exigencies of such broadcasts . But it may straightaway be said that Stalin's III . STALIN'S PLAYS STALIN'S PLAYS.
... play is produced with the specific view of its being radio broadcast , the playwright will adjust his plot and action to the exigencies of such broadcasts . But it may straightaway be said that Stalin's III . STALIN'S PLAYS STALIN'S PLAYS.
Stran 184
... play on the stage . What was slightly more revolutionary was that he played the role of the heroine a very early instance of an academic serving in a college as a professor stooping to act on the stage . Sastriar wrote two more plays ...
... play on the stage . What was slightly more revolutionary was that he played the role of the heroine a very early instance of an academic serving in a college as a professor stooping to act on the stage . Sastriar wrote two more plays ...
Stran 204
... plays : Adippattam ( ú ) and Urmila ( T IT LÅGTIT ) . ( ஆடிப்பட்டம் ) Plays , generally can be classified as mythological plays , historical plays , romantic plays and social plays : e.g. Sakuntalam is a mythological play ...
... plays : Adippattam ( ú ) and Urmila ( T IT LÅGTIT ) . ( ஆடிப்பட்டம் ) Plays , generally can be classified as mythological plays , historical plays , romantic plays and social plays : e.g. Sakuntalam is a mythological play ...
Pogosti izrazi in povedi
19th century acting actor aesthetic Aristotle art critics art for art's art piece art's sake artist audience beauty become Bertrand Russell called Chalukyas character Chola classical consumer of art create art creation culture dance dialogue drama dramatic literature dramatists Duryodhana Elavarkulali emotional enjoyment epic expression fact feelings Greek Hegel Hindu historical plays human idea imagination imitation instinct intellectual James Joyce judgement Kanchi Kulakkolundu later literary means mind modern art moral Nagappattinam Nataka nature object obscenity Oscar Wilde painting Pallava performance person philosophers Plato playwright pleases pleasure plot poem poetic poetry poets produce psychological purpose radio Rajendra reaction reader reality religion role romantic romanticism Ruskin Russell Sambandam Sanskrit says sculpture Sembian sense Shakespeare Silappadikaram social plays Sophocles speech stage Stalin story sublime Sudarkkodi symbol Tamil Tamil literature taste theatre theme theory thought tion tragedy tragic truth ugliness Urmila Vajrabodhi Vegavati viewer Walter Pater word write wrote