The Aesthetic of Drama: And, Stalin's PlaysEnnes Publications, 1995 - 216 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 61
... written was what is called , according to the usual phrase , pornographic - that is , written for the purpose of exploiting obscenity ' , 18 The judge raises here the question of intention of the whether a work is pornographic or not ...
... written was what is called , according to the usual phrase , pornographic - that is , written for the purpose of exploiting obscenity ' , 18 The judge raises here the question of intention of the whether a work is pornographic or not ...
Stran 147
... written out play ; and the purpose of writing a play is secured fully only when it is staged . But here some qualification is needed . There can be plays which cannot be staged as they are except with great difficulty : e.g. P. Sundaram ...
... written out play ; and the purpose of writing a play is secured fully only when it is staged . But here some qualification is needed . There can be plays which cannot be staged as they are except with great difficulty : e.g. P. Sundaram ...
Stran 175
... written scripts with only an eye to stage performance and no pretension to literary value . The Manonmani yam , however , is just the opposite of these non - literary productions ; it was written in Shakespearean model , Asiriyappa on ...
... written scripts with only an eye to stage performance and no pretension to literary value . The Manonmani yam , however , is just the opposite of these non - literary productions ; it was written in Shakespearean model , Asiriyappa on ...
Pogosti izrazi in povedi
19th century acting actor aesthetic Aristotle art critics art for art's art piece art's sake artist audience beauty become Bertrand Russell called Chalukyas character Chola classical consumer of art create art creation culture dance dialogue drama dramatic literature dramatists Duryodhana Elavarkulali emotional enjoyment epic expression fact feelings Greek Hegel Hindu historical plays human idea imagination imitation instinct intellectual James Joyce judgement Kanchi Kulakkolundu later literary means mind modern art moral Nagappattinam Nataka nature object obscenity Oscar Wilde painting Pallava performance person philosophers Plato playwright pleases pleasure plot poem poetic poetry poets produce psychological purpose radio Rajendra reaction reader reality religion role romantic romanticism Ruskin Russell Sambandam Sanskrit says sculpture Sembian sense Shakespeare Silappadikaram social plays Sophocles speech stage Stalin story sublime Sudarkkodi symbol Tamil Tamil literature taste theatre theme theory thought tion tragedy tragic truth ugliness Urmila Vajrabodhi Vegavati viewer Walter Pater word write wrote