Transformation, Količina 2L. Drummond Limited, 1944 |
Iz vsebine knjige
Zadetki 1–3 od 21
Stran 76
... critic is a purely hypothetical character , as criticism involves progressive education , which is infinite . No man has ever completed his education , therefore no man has ever been a perfect critic . The best critics are constantly ...
... critic is a purely hypothetical character , as criticism involves progressive education , which is infinite . No man has ever completed his education , therefore no man has ever been a perfect critic . The best critics are constantly ...
Stran 77
... criticism is not concerned with liking or disliking ; it is concerned with the artistic merits of the work . The critic tries to take an objective view of the work and keeps the subjective element under control . He tempers his emotions ...
... criticism is not concerned with liking or disliking ; it is concerned with the artistic merits of the work . The critic tries to take an objective view of the work and keeps the subjective element under control . He tempers his emotions ...
Stran 167
I grant that such speculations interfere with the symmetry of criticism as a game . ( Criticism as a game is best to watch , I guess , when one confines himself to the single unit , and reports on its movements like a radio commentator ...
I grant that such speculations interfere with the symmetry of criticism as a game . ( Criticism as a game is best to watch , I guess , when one confines himself to the single unit , and reports on its movements like a radio commentator ...
Vsebina
Waterfront | 41 |
The Shelterers | 57 |
WAR AND WRITING continued from Transformation | 124 |
Avtorske pravice | |
3 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
4th Voice A. S. NEILL aesthetic angel appreciation artist Balzac beauty become Beethoven beginning believe called century child Christian Coleg Harlech colour Cornet course creative criticism dead death desire destiny Donne Donne's dragon dream Eliphas Levi emotions existence experience expression eyes fact faith fear feeling freedom genius German give Graham Sutherland heart HENRY TREECE human ideal ideas imagery imagination individual Jesus John Donne knowledge Langenau light listen living look Louis Lambert Marie Bashkirtseff meaning mind modern architecture moral movement Mozart mysterious mystic nation nature never night passion peace person philosophy Plato poem poet poetry political programme programme music question realise religion Rilke romanticism scene sense Seraphita Simeon social society song soul spirit stanza STEFAN SCHIMANSKI Syllabus symbols teacher things thou thought true truth whole words young Riesel