Transformation, Količina 2L. Drummond Limited, 1944 |
Iz vsebine knjige
Zadetki 1–3 od 25
Stran 25
... possible subjects , should , at least , be held in mind by those who design a syllabus , for whatever stage in life the teaching is intended , and upon whatever subject ; for it is a relationship of one function of the spirit to all ...
... possible subjects , should , at least , be held in mind by those who design a syllabus , for whatever stage in life the teaching is intended , and upon whatever subject ; for it is a relationship of one function of the spirit to all ...
Stran 75
... possible to live in a noisy district and be unaware of the noise , so is it possible to sit through a symphony concert without hearing a note . Or , even if the music is heard , it is not absorbed . There is a difference between hearing ...
... possible to live in a noisy district and be unaware of the noise , so is it possible to sit through a symphony concert without hearing a note . Or , even if the music is heard , it is not absorbed . There is a difference between hearing ...
Stran 83
... possible to judge music in the abstract , as it is possible to judge literature in the abstract . Thus , humour appears in music as surely as in literature . Nietzsche says : " All good things laugh , " and music can lay claim to this ...
... possible to judge music in the abstract , as it is possible to judge literature in the abstract . Thus , humour appears in music as surely as in literature . Nietzsche says : " All good things laugh , " and music can lay claim to this ...
Vsebina
Waterfront | 41 |
The Shelterers | 57 |
WAR AND WRITING continued from Transformation | 124 |
Avtorske pravice | |
3 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
4th Voice A. S. NEILL aesthetic angel appreciation artist Balzac beauty become Beethoven beginning believe called century child Christian Coleg Harlech colour Cornet course creative criticism dead death desire destiny Donne Donne's dragon dream Eliphas Levi emotions existence experience expression eyes fact faith fear feeling freedom genius German give Graham Sutherland heart HENRY TREECE human ideal ideas imagery imagination individual Jesus John Donne knowledge Langenau light listen living look Louis Lambert Marie Bashkirtseff meaning mind modern architecture moral movement Mozart mysterious mystic nation nature never night passion peace person philosophy Plato poem poet poetry political programme programme music question realise religion Rilke romanticism scene sense Seraphita Simeon social society song soul spirit stanza STEFAN SCHIMANSKI Syllabus symbols teacher things thou thought true truth whole words young Riesel