A Background for BeautyA. Melrose, 1951 - 219 strani |
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Stran 69
... Egypt , and in the long barrows of England they imitated the rock - cut tombs of the Eastern Mediterranean " .81 It appears then that to Egypt we ultimately owe the single upstanding Monoliths ( in form resembling Egyptian obelisks ) ...
... Egypt , and in the long barrows of England they imitated the rock - cut tombs of the Eastern Mediterranean " .81 It appears then that to Egypt we ultimately owe the single upstanding Monoliths ( in form resembling Egyptian obelisks ) ...
Stran 73
... Egypt , literacy , which always existed , was practically confined to the small and privileged class of the scribes and the smaller and more privileged class of the literati . These men of letters , who were officials , had themselves ...
... Egypt , literacy , which always existed , was practically confined to the small and privileged class of the scribes and the smaller and more privileged class of the literati . These men of letters , who were officials , had themselves ...
Stran 74
... Egypt the subdivision of labour continued with groups of boatmen and fishermen , builders and weavers , priests and scribes . And the priests and scribes become the most powerful and highly privileged . For a civilization to fall , like ...
... Egypt the subdivision of labour continued with groups of boatmen and fishermen , builders and weavers , priests and scribes . And the priests and scribes become the most powerful and highly privileged . For a civilization to fall , like ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake