A Background for BeautyA. Melrose, 1951 - 219 strani |
Iz vsebine knjige
Zadetki 1–3 od 47
Stran 75
... Egyptian times were never considered . They , and the artist - craftsmen themselves , all served the despot , who was hardly likely to be interested in whether they " ap- proved " a work of art , but was interested to the point of whips ...
... Egyptian times were never considered . They , and the artist - craftsmen themselves , all served the despot , who was hardly likely to be interested in whether they " ap- proved " a work of art , but was interested to the point of whips ...
Stran 76
... Egypt alone . The Egyptian culture , however , was the more extended chronologically and at the same time the more homogeneous and concentrated . On the other hand , it was also the fount from which influences flowed to fertilize other ...
... Egypt alone . The Egyptian culture , however , was the more extended chronologically and at the same time the more homogeneous and concentrated . On the other hand , it was also the fount from which influences flowed to fertilize other ...
Stran 79
... Egyptian economy evolved external contacts were encouraged for the purposes of barter , trade and the further amelioration of life ( at any rate for the great if not for the masses ) . By this means Egyptian manufactures , exchanged for ...
... Egyptian economy evolved external contacts were encouraged for the purposes of barter , trade and the further amelioration of life ( at any rate for the great if not for the masses ) . By this means Egyptian manufactures , exchanged for ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake