A Background for BeautyA. Melrose, 1951 - 219 strani |
Iz vsebine knjige
Zadetki 1–3 od 63
Stran 38
... human types , each must have his own capacity for perception and appreciation . As each individual human being grows and responds to his environment , so this capacity must change . What the growing boy considers beautiful the grown man ...
... human types , each must have his own capacity for perception and appreciation . As each individual human being grows and responds to his environment , so this capacity must change . What the growing boy considers beautiful the grown man ...
Stran 56
... human soul precisely because they are not human . Yet the evolution of modern man's spiritual equipment can be seen paralleled in living animals , whose stage of development he has now surpassed . The same therefore may be said of ...
... human soul precisely because they are not human . Yet the evolution of modern man's spiritual equipment can be seen paralleled in living animals , whose stage of development he has now surpassed . The same therefore may be said of ...
Stran 92
... human figure . It was an interest which grew upon him : an interest which never left him : an interest which he bequeathed to our Western world of art ( and which is strikingly absent from Chinese art ) , which was almost lost , and was ...
... human figure . It was an interest which grew upon him : an interest which never left him : an interest which he bequeathed to our Western world of art ( and which is strikingly absent from Chinese art ) , which was almost lost , and was ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake