A Background for BeautyA. Melrose, 1951 - 219 strani |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran 59
... mind's eye vision - we differ from each other far more widely because the individual personality is more actively engaged in that mental operation than it is in physical seeing . We - each one of us - must incorporate in ourselves the ...
... mind's eye vision - we differ from each other far more widely because the individual personality is more actively engaged in that mental operation than it is in physical seeing . We - each one of us - must incorporate in ourselves the ...
Stran 181
... mind . Eye , nerve and brain are merely the material mechanism . The mind behind the eye is the motive force that operates the mechanism . But the mind performs so many other functions at the same time 181.
... mind . Eye , nerve and brain are merely the material mechanism . The mind behind the eye is the motive force that operates the mechanism . But the mind performs so many other functions at the same time 181.
Stran 182
... mind starts with a different background , different associative memories . Each mind colours the impressions it receives through the eye in the very act of perception , and from then on these images are subject to numberless ...
... mind starts with a different background , different associative memories . Each mind colours the impressions it receives through the eye in the very act of perception , and from then on these images are subject to numberless ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake