A Background for BeautyA. Melrose, 1951 - 219 strani |
Iz vsebine knjige
Zadetki 1–3 od 50
Stran 98
... seen . The successful but conventionalized folds change to the wind - blown , clinging naturalness of real though diaphanous draperies . And this change is seen not only in sculpture but also in vase - painting , which had , in turn ...
... seen . The successful but conventionalized folds change to the wind - blown , clinging naturalness of real though diaphanous draperies . And this change is seen not only in sculpture but also in vase - painting , which had , in turn ...
Stran 155
... seen angels . What I have not seen I cannot paint . " The innovations of the Barbizon group and of the Realists led naturally to the still more determined effort by the new French Impressionist ( or Luminist ) School to see and give ...
... seen angels . What I have not seen I cannot paint . " The innovations of the Barbizon group and of the Realists led naturally to the still more determined effort by the new French Impressionist ( or Luminist ) School to see and give ...
Stran 180
... seen , experiments in representing atmospheric effects , the colour of light and the colour of shadows , had been undertaken long before by Leonardo da Vinci . Little advance had been made subsequently until rather more than a hundred ...
... seen , experiments in representing atmospheric effects , the colour of light and the colour of shadows , had been undertaken long before by Leonardo da Vinci . Little advance had been made subsequently until rather more than a hundred ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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Pogosti izrazi in povedi
abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake