A Background for BeautyA. Melrose, 1951 - 219 strani |
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Zadetki 1–3 od 31
Stran 15
... symbolism was already implicit in their works before the time of Plato . If there had been the possibility of an exchange of views there is no doubt that the Chinese would have entirely disagreed with Plato's theory that art is not symbolic ...
... symbolism was already implicit in their works before the time of Plato . If there had been the possibility of an exchange of views there is no doubt that the Chinese would have entirely disagreed with Plato's theory that art is not symbolic ...
Stran 67
... symbolic , abstract — an art of ornament heightening the pleasing qualities of the handicrafts and definitely influencing the later art of Northern Europe . But it hardly seems necessary to distinguish a Southern and a Northern type of ...
... symbolic , abstract — an art of ornament heightening the pleasing qualities of the handicrafts and definitely influencing the later art of Northern Europe . But it hardly seems necessary to distinguish a Southern and a Northern type of ...
Stran 124
... symbolic religious pictures . The Gothic designers cut away the walls to extend the expanse of window openings and built up in these wide spaces a glory of richly coloured glass in small , separate , irregular pieces to form their symbolic ...
... symbolic religious pictures . The Gothic designers cut away the walls to extend the expanse of window openings and built up in these wide spaces a glory of richly coloured glass in small , separate , irregular pieces to form their symbolic ...
Vsebina
Page | 7 |
Introduction | 13 |
Beauty and Ugliness in the West and in the Eastin Nature and in Art | 15 |
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abstract art aesthetic ancient animals appear architecture Aristotle artist artist-craftsman Ashmolean Museum attitude Baroque beauty became birds Blake building Byzantine Byzantine art century B.C. CHAPTER China Chinese Christian Church civilization Classical colour Copyright reserved crafts Cretan Crete Cubism culture decoration display drawing early Egypt Egyptian art Empire evolved example expression flowers Gallery gift Giotto Gothic Greece H. G. Spearing harmony Herbert Read ideal ideas images influence inspired Italian later learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Mesopotamia Michelangelo mind Minoan modern mosaic Nature Neolithic objects Oxford painter painting Palaeolithic perception Photograph by courtesy Plate Plato pottery primitive Religio Medici religion Renaissance representation Roman Rome sculpture seems seen sense Sir Thomas Browne soul spiritual stone style Sumeria symbolic temples theory things tomb tradition Trans truth universe vision W. F. Mansell William Blake