The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... actors createa difference every timeit isperformed, thereby allowing us a privileged visionwhen we attend.This is what makes theatre differentfrom television or filmwhere theimage is formed andthe only variation is our response toit ...
... actors createa difference every timeit isperformed, thereby allowing us a privileged visionwhen we attend.This is what makes theatre differentfrom television or filmwhere theimage is formed andthe only variation is our response toit ...
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... actor's public theatrical performance. (Wickham 1985:8) An understanding of thisprocess, thatallofusare actors for most of our lives, enables us to look atarationale for the therapeutic nature of drama and theatre. Within this rationale ...
... actor's public theatrical performance. (Wickham 1985:8) An understanding of thisprocess, thatallofusare actors for most of our lives, enables us to look atarationale for the therapeutic nature of drama and theatre. Within this rationale ...
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... actor. Many of my groups will consider themselves as designers of sets and costumes and lighting, as directors andproducers, as well as actors within the 'theatres of healing' that wecreate. Whereas,as Wickham says,we engage ...
... actor. Many of my groups will consider themselves as designers of sets and costumes and lighting, as directors andproducers, as well as actors within the 'theatres of healing' that wecreate. Whereas,as Wickham says,we engage ...
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... actor, thestageand the theatre when discussingthehuman condition. The actors areathand, andby their show Youshall know all that you areliketoknow. (A Midsummer Night's Dream V. i. 115–16) Like adull actor now I haveforgot my part and I ...
... actor, thestageand the theatre when discussingthehuman condition. The actors areathand, andby their show Youshall know all that you areliketoknow. (A Midsummer Night's Dream V. i. 115–16) Like adull actor now I haveforgot my part and I ...
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... acting life'in 'everyday reality' no longer needs rehearsal. New situations and major changeswill, however, still need some preparation. The theatre itselfcaninspire us to resolveor change things inour lives ortorealise the ...
... acting life'in 'everyday reality' no longer needs rehearsal. New situations and major changeswill, however, still need some preparation. The theatre itselfcaninspire us to resolveor change things inour lives ortorealise the ...
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The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
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