The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... character being portrayed. This enablesus to revealwhat is appropriate and, in the case of the actor, also to surprise us and take us unawares; to create avision ora spectacle which in turnallows us to understandsomething new orina ...
... character being portrayed. This enablesus to revealwhat is appropriate and, in the case of the actor, also to surprise us and take us unawares; to create avision ora spectacle which in turnallows us to understandsomething new orina ...
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... toconsider drama and theatre in any form without role; in the theatre we may refer more often to the character we are playing which in itself has many roles. All of us need a wide repertory of roles and the skills to.
... toconsider drama and theatre in any form without role; in the theatre we may refer more often to the character we are playing which in itself has many roles. All of us need a wide repertory of roles and the skills to.
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... character'. (RogerGrainger) Here the practitioner is immediately concerned withthe symbolic possibilities ofthe space. The following is a quite contrasting responsewhich deals with the practicalities: The following is put together with ...
... character'. (RogerGrainger) Here the practitioner is immediately concerned withthe symbolic possibilities ofthe space. The following is a quite contrasting responsewhich deals with the practicalities: The following is put together with ...
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... characters on thestage. Meldrum presents an alternative way of lookingat role throughthetheoryof symbolic interactionism ofsocial psychologist G.H.Mead and the constructivist position of personality theoristSarah Hampson. In Chapter6I ...
... characters on thestage. Meldrum presents an alternative way of lookingat role throughthetheoryof symbolic interactionism ofsocial psychologist G.H.Mead and the constructivist position of personality theoristSarah Hampson. In Chapter6I ...
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... characters they are playing, but they bring themselves and theirown experience to their interpretations oftheroles in thetext. The actors,too, are experiencing boththe subjective and the objectivereality through the aesthetic distance ...
... characters they are playing, but they bring themselves and theirown experience to their interpretations oftheroles in thetext. The actors,too, are experiencing boththe subjective and the objectivereality through the aesthetic distance ...
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The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
Pogosti izrazi in povedi
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