The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... thatis beingpresented for us.It speaks tousand for usas bothindividuals and groups, anditis unique tothe particular audience whoare present.Each performance is different from the nextone, however well known the story;the actors createa ...
... thatis beingpresented for us.It speaks tousand for usas bothindividuals and groups, anditis unique tothe particular audience whoare present.Each performance is different from the nextone, however well known the story;the actors createa ...
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... that is not a thoroughfare or a hall or somewhereused for lots ofotherthings. I prefer a carpeted floor forwarmth,large enough for eight people to move around; not cluttered and seats which can foldaway; shelves andcupboards for ...
... that is not a thoroughfare or a hall or somewhereused for lots ofotherthings. I prefer a carpeted floor forwarmth,large enough for eight people to move around; not cluttered and seats which can foldaway; shelves andcupboards for ...
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... that is'me'andthe disengaging from the parts that are 'not me', whereas the dramatherapist is moreconcerned withthe issues of life anddeath and aplace in theworld outside. She emphasises how the play and the drama are central to the ...
... that is'me'andthe disengaging from the parts that are 'not me', whereas the dramatherapist is moreconcerned withthe issues of life anddeath and aplace in theworld outside. She emphasises how the play and the drama are central to the ...
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... person, whether as actororas spectator,a passage backand forth between two planes: thesubjective and theobjective. This experience is most obvious in the theatre. 'Theatre is a direct experience that is shared when people imagine and ...
... person, whether as actororas spectator,a passage backand forth between two planes: thesubjective and theobjective. This experience is most obvious in the theatre. 'Theatre is a direct experience that is shared when people imagine and ...
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... that is shared when people imagine and behave as if they were other than themselves in some other place at another time' (Neelands 1990:4). As audience inthetheatre we allow actors to stand inforus, but we still maintain ourown ...
... that is shared when people imagine and behave as if they were other than themselves in some other place at another time' (Neelands 1990:4). As audience inthetheatre we allow actors to stand inforus, but we still maintain ourown ...
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The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
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